THE STORY: The place is the back porch of an old house in a small town in South Dakota, the time the summer of 1947. Reba (in her forties) and April (in her twenties) are two women who, forced to fend for themselves when the local mill laid them off, have turned to the “oldest profession.” But now April has accepted an offer of matrimony and is packing to leave—a development which is not easily accepted by Frank, the manager of the mill and one of April’s “regulars.” To make matters worse, it turns out that Frank has just shot his wife and her lover, and learning that April is also defecting is almost more than the shaken Frank can bear. Furthermore, he still has the gun in his pocket—which makes April’s defiance all the riskier and Reba’s nervousness all the greater. But the crisis passes (the gun is empty) and Frank departs (they’ll probably let him go scot-free) and the two ladies, collapsing in relieved laughter, decide to relax and take in a movie before April boards the bus to Sioux City and a new life with her husband-to-be (who happens to look just like Frank).
Successfully produced by New York’s highly regarded Ensemble Studio Theatre, as part of its Marathon of One-Act Plays, this very funny yet poignantly probing play deals with the unexpected difficulties encountered by two ladies of easy virtue when one of them decides to get married and leave the profession.
“…warm, mischievous and with a bittersweet afterglow outstanding work.” —The New York Times.
Included in the collection
Bite the Hand/Mooncastle.