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Yellow Face

$15.00
Qty:
Full Length, Drama
5 men, 2 women
Total Cast: 7, Flexible Set
ISBN-13: 978-0-8222-4510-0

FORMAT:



MIN. PERFORMANCE FEE: $105 per performance. SPECIAL NOTE ON SONG: An additional fee of $5.00 per nonprofessional performance is required for use of the song "Shall We Dance?" SPECIAL NOTE ON MUSIC: "People and Nature in Harmony: Dong Folk Songs," music for this play is required for production and will be distributed digitally. The cost is $35.00. There is no additional fee for the use of this music.
THE STORY: The lines between truth and fiction blur with hilarious and moving results in David Henry Hwang's unreliable memoir. Asian American playwright DHH, fresh off his Tony Award® win for M. Butterfly, leads a protest against the casting of Jonathan Pryce as the Eurasian pimp in the original Broadway production of Miss Saigon, condemning the practice as "yellow face." His position soon comes back to haunt him when he mistakes a Caucasian actor, Marcus G. Dahlman, for mixed-race, and casts him in the lead Asian role of his own Broadway-bound comedy, Face Value. When DHH discovers the truth of Marcus' ethnicity, he tries to conceal his blunder to protect his reputation as an Asian American role model, by passing the actor off as a "Siberian Jew." Meanwhile, DHH's father, Henry Y. Hwang, an immigrant who loves the American Dream and Frank Sinatra, finds himself ensnared in the same web of late-1990's anti-Chinese paranoia that also leads to the "Donorgate" scandal and the wrongful arrest of Los Alamos nuclear scientist Wen Ho Lee. As he clings to his old multicultural rhetoric, this new racist witch hunt forces DHH to confront the complex and ever-changing role that "face" plays in American life today.
“Critic’s Pick! …a smart thing about YELLOW FACE…is that as it gets more hopelessly tangled and thus funny it also gets more serious and thus damning. The questions of identity considered as cultural matters in the first half become personal and political in the second.” —The New York Times.

“[YELLOW FACE] resists classification practically to its final moments, even as it builds to a climax of startling power.” —Variety.

“Hwang masterfully dissects the impossible knots we tear ourselves into around race, cultural appropriation and narrative ownership.” —Theatrely.