THE STORIES: GRACELAND. The place is the front entrance of Graceland, the late Elvis Presley’s Memphis mansion, the time, five o’clock in the morning, three days before the estate is to be opened to the public. Two ardent Presley fans, Bev and Rootie, are camped out before the gates, each determined to be the first to enter the sacred precincts. Bev is a bewigged, middle-aged lady with too much make-up and a brassy down-home style; Rootie is young and shy and somewhat intimidated by the raucous Bev. Wary at first, the two soon progress from dispute to shared confidences and a growing compassion that, in the end, moves the essentially warm-hearted Bev to defer the place of honor to her waif-like and touchingly sincere rival. (2 women.)
ASLEEP ON THE WIND. The time is ten years before the time of GRACELAND, the place, a small clearing in Bayou Teche, Louisiana, the “special place” that Rootie refers to in the other play. This is where Rootie and her favorite brother, Beau, a handsome, sensitive and restless young man of thirty come to talk in private and to escape her other brothers, two high-spirited hot rodders who seem to delight in pestering their shy, reclusive sister. This time Beau has a double purpose for their meeting: to persuade Rootie to try to stick it out at home and in school and to reach beyond him for companionship; and also to tell her that he has enlisted in the army and has requested service in Vietnam. Inevitably the news comes as a deep shock to Rootie, but it is the way of its telling that makes the play so touching and evocative—and that in the end allows Rootie to accept the fact that her life, for better or worse, will never again be the same. (1 man, 1 woman.)
