Based on the novel by Jane Austen.
THE STORY: This isn’t your grandmother’s Austen! Bold, surprising, boisterous, and timely, this P&P for a new era explores the absurdities and thrills of finding your perfect (or imperfect) match in life. The outspoken Lizzy Bennet is determined to never marry, despite mounting pressure from society. But can she resist love, especially when that vaguely handsome, mildly amusing, and impossibly aggravating Mr. Darcy keeps popping up at every turn?! Literature’s greatest tale of latent love has never felt so theatrical, or so full of life than it does in this effervescent adaptation. Because what turns us into greater fools…than the high-stakes game of love?
“Hamill…has a gift for condensing three-volume novels into galloping two-act plays. Her screwball PRIDE AND PREJUDICE…is as frolicsome as her earlier efforts. It hasn’t met a rib it can’t tickle.” —The New York Times.
“The ever-ingenious Hamill has given us something completely and delightfully different, a smallish-cast period-dress PRIDE AND PREJUDICE…adapted with fizzy, festive freedom, Hamill’s [PRIDE AND PREJUDICE] is full of Bringing Up Baby
-style slapstick and the kind of barely controlled chaos that you’d expect to see in a five-door Feydeau farce
…” —Wall Street Journal.
“…a laugh-out-loud adaptation… Hamill…give[s] Austen’s novel a deliciously antic sensibility…This PRIDE AND PREJUDICE has comedy at its heart, but regarding the treatment of women, it shows us enough unsettling similarities between the 18th century and now to make us pause thoughtfully between laughs.” —TheaterMania.
“Hamill’s PRIDE AND PREJUDICE has fun and charm to spare…[it] is full of high spirits and genuine mirth…Hamill excels…as a condenser of the story and a conveyer of fun. She cleverly squeezes Austen’s wide-ranging drawing-room comedy into the bodies of eight actors, almost all doubling to delightful and even moving effect.” —New York Magazine.