“Safdie’s one-act offers unique insight and analysis about the craft [of playwriting]…Entertaining, and at times hilarious.” —Herald Tribune.
“Sweetly amusing…Mr. Safdie writes funny dialog, and he is to be admired for the strength of his convictions.” —The New York Times.
“Good staging, good set, good everything…THE LAST WORD is as clever as
Private Jokes, Public Places, and Mr. Safdie has written
Hill Street Blues Star, Daniel J. Travanti, a dream part.” —Wall Street Journal.
“Remarkable!…THE LAST WORD rings with emotional and comic veracity, and has more to say about life and literature in its brief 90 minutes than most plays twice its length.” —Show Business Weekly.
“A fascinating and amusing exploration of the connection between a possibly delusional and impractical older man and a steadfast but slightly insecure young man.” —CurtainUp.
“The dialogue crackles, and Safdie somehow makes a not unfamiliar set-up seem fresh.” —TheaterMania.
“A thoughtful and balanced portrayal, exploring the colliding forces of classicism and modernism…Recommended!” —Los Angeles Times.
“Clever and refreshingly literate dialogue…Safdie has created something remarkable…Critic’s Pick” —Backstage West.
