The PlayFinder™

Type of Play

MenWomenTotal Cast

Dark Comedy Farce Historical Melodrama Mystery Romantic Satire Tragedy Thriller

Old Wicked Songs

Full Length, Drama
2 men
Total Cast: 2, Flexible Set
ISBN-13: 978-0-8222-1544-8


MIN. PERFORMANCE FEE: $105 per performance. SPECIAL NOTE: Musical Instrumental Digital Interface (MIDI) files for use with the Yamaha Disklavier player piano during performances of this play is available for purchase with your license for $35.00 and will be distributed digitally. For more information, click here. The nonprofessional fee for the use of this music is $25.00 per performance.
THE STORY: Hoping to reconnect with his music and shatter the artistic block that’s plagued his career, Stephen Hoffman, a young American piano prodigy, ventures to Vienna in the spring of 1986. He is assigned to an elderly vocal teacher, Professor Josef Mashkan, who gives Stephen the “Dichterliebe” song cycle by Robert Schumann. Although Stephen resents having to study simple vocal accompaniment, he slowly realizes that he is in the hands of a master-teacher. It’s a grudging realization at best for Stephen, as he and Mashkan approach each other from such opposite ends of experience. It seems impossible at first that they will ever get along, much less work together. Their dichotomies abound: One is European, one American; one old-fashioned, the other modern; one passionate, the other technically precise; and finally, one a seeming anti-Semite, and the other a Jew—a theme partly expressed by the play’s allusions to Kurt Waldheim’s campaign for Austria’s presidency. When Stephen visits Dachau, at the insistence of his Jewish parents, the whitewash of official German history fills him with rage, and he channels this anger into his art—and against Mashkan as well. Stephen soon discovers that Mashkan’s anti-Semitic remarks mask a darker history; he is a Holocaust survivor who would rather die than confront his demons. Stephen urges Mashkan to tell his story—for his sake as well as for Stephen’s—but eventually, only music—their one common bond—helps release the burning emotions of the teacher and helps melt the frigidity of the student.
“Mr. Marans’ play…is lighted with warmth and humor, and his two protagonists are splendid companions for the evening’s journey into the soul.” —The New York Times.

“…one of the best plays of the year, a fascinating exploration of art, guilt, compassion and identity…” —New York Post.

“A vivid, beautiful play!” —New York Daily News.